≠ Jamie Bradley is an artist, director, writer and actor. He studied acting at the Guildhall School of Music and Drama and fine art at Chelsea College of Arts, graduating with first class honours.
As a director/writer he creates new theatre works, films and reframed classics, and has worked extensively in theatres and conservatoires across Europe. Recent directing includes; Pod, Provok’d: A Restoration, and Life Songs (Barbican/Guildhall School) Olympus, The Beat and the Pulse (FONACT Fontainbleau, France) The Guides (PLYFA, Athens) An Oscillating Note and Is This Love? (ENSATT Lyon, France) and Crackpot (Folkestone Quarterhouse/Living Words).
He has created multiple original short films, notably The Full Cup, selected by the Mexico Film Festival, 2015, and his art work is published in Pilot Press’ Over there - A queer anthology of joy.
As an actor he has extensive experience in theatre, television and film and has performed with Complicite, Kneehigh, Transport and Fevered Sleep, as well as multiple productions at the UK National Theatre. He has appeared in the film work of Joachim Trier, Edward Berger, and Alan Rickman.
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As a director/writer he creates new theatre works, films and reframed classics, and has worked extensively in theatres and conservatoires across Europe. Recent directing includes; Pod, Provok’d: A Restoration, and Life Songs (Barbican/Guildhall School) Olympus, The Beat and the Pulse (FONACT Fontainbleau, France) The Guides (PLYFA, Athens) An Oscillating Note and Is This Love? (ENSATT Lyon, France) and Crackpot (Folkestone Quarterhouse/Living Words).
He has created multiple original short films, notably The Full Cup, selected by the Mexico Film Festival, 2015, and his art work is published in Pilot Press’ Over there - A queer anthology of joy.
As an actor he has extensive experience in theatre, television and film and has performed with Complicite, Kneehigh, Transport and Fevered Sleep, as well as multiple productions at the UK National Theatre. He has appeared in the film work of Joachim Trier, Edward Berger, and Alan Rickman.
≠ Contact
